What I did find that day that did get under my skin was a group called Les Gars Dans L’Coin (The guys in the corner). Having listened several times now to The Radioactive Beets Show and to their #8604 EP, I am a very big fan.

A couple of weeks before that I had discovered, just in time, thanks to the invisible hand of the God of Ska, that Babylon Circus were playing London on October 26th, a gig which turned out to be so good that I went to see them again the following Saturday in Bristol.

Take a look at some of these photos of the guys on tour and tell me you don’t want to see them live!

Which leads quite smoothly into the fact that I’m currently working on something of an epic post which is taking much longer than expected. Regular readers may have noticed a half-cocked post called “Eight things that make a great live band” appeared accidentally on Sunday night. I have since revised the title to the 12.5% more exciting “Nine things that make a great live band” and hopefully I’ll be publishing it either tomorrow or Thursday.

Listen to the extracts above and consider getting a copy of The Radioactive Beets Show – it’s absurdly good value at £4.99 from the Amazon MP3 store which, as I’ve mentioned before, integrates flawlessly with your iTunes library if necessary.

Here are the links to the band’s pages on Facebook and Myspace.

Babylon Circus are currently on their European tour and I was blessed to have been able to see them in Camden Town on Monday. They are in Liverpool tonight and then finish their UK dates in Bristol tomorrow.

Their other European dates can be found here.

So, to mark this, here is the translation of La Caravane which is the third translation on this site from the 2004 album Dances of Resistance.

You can see the band performing La Caravane in the top video to the left. The bottom video is Mister Conqueror from Woodstock 2006 – no translation necessary there but it is one of the higher quality clips of the band performing live.

If you have the opportunity at all to get down and see them in Bristol tomorrow, 31st October, I thoroughly recommend that you do so.

The French expression Les chiens aboient, la caravane passe means something in the area of “let people say what they will”, the image is of continuing to do something regardless of the noise being made about it.

My cousin also came with me to this gig and as neither she nor my girlfriend speak French, have any interest at all in French music, and are at best sceptical about my taste in music, I was praying that the show would be fantastic.

One track from their 2009 album, Le Belle Étoile has recently become available on the UK store. This is one of my favourites from the album, and the track with which the band opened.

The support act had been a female-fronted rock band whose name I still do not know but intend to find out. Update: the support band was iCON Smash My Box! I thought they did a fine job and they sounded different enough from the all-to-common stock rock of our times to make me want to hear more. What’s more is that we knew from their performance that the sound in the room was great.

As the multitude of Babylon Circus band members squeezed onto the stage and launched in Perdu there was no doubt that this was going to be something special. Much as I have always rated their albums, particularly their latest release, the recorded tracks are yet overshadowed by how well the band look, perform and sound on stage. How on Earth do you get ten musicians sounding so great together without a conductor? I can only assume that enormous credit has to go to the sound technicians. I have seen truly great bands reduced to a total mess on stage due to bad sound levels and/or acoustics.

The lead singer, who through energy-induced necessity had been rendered topless by the end of the night addressed the crowd in English while trying to whip us all up into a bunch of bouncing madmen and madwomen. I imagine this was one of the smaller crowds they will have played to this year but I think we held our own. Certainly there were very few people just standing back in mute appreciation. My girlfriend and I made our way through three bottles of red wine during the show and I am not entirely sure what work of witchcraft has managed to see me feeling fine today after the thorough shaking to which my guts were subjected.

Following Perdu were two songs that I have previously translated on this site, De la musique et du bruit and J’aurais bien voulu, both from the 2004 album Dances of Resistance. I had great confidence that my two companions for the night would enjoy most of the stuff from La Belle Étoile, but was less sure about their earlier music which was much more ska/reggae based, and much more revendicatif as I believe the French say. I needn’t have worried because, as I mentioned at the beginning of this blog entry, it was after De la musique et du bruit that I was relieved to hear the words “Oh my God, they’re really good.”

This is certainly a band whose live performance depends very much on the crowd getting on its feet and losing itself in the music.

I’ve always been a bouncer. A few pints and the arrival of Nightboat to Cairo at a friend’s birthday bash on Saturday night had been enough to make my night. Multiply that by some enormous number and that’s how I felt at The Jazz Café yesterday. Oh my God, they really were really good!

Two encores were not enough!

The time will come when I decide to write my top ten list of the best French language albums of 2009.

You know what it’s like when you make a list like that – you’ve probably got three or four “no-brainers” which are going to be in there no matter what, and then you may have a dozen or more other albums from which you’re going to have to choose for the remaining spaces.

One thing I didn’t think I would have to think very hard about was the number one spot. Until today one album had towered above the rest – La Ruda’s Grand Soir.

Today I heard Babylon Circus’s 2009 album La Belle Étoile. Now I have a decision to make.

It’s incredibly good, in my opinion their best album yet. I was looking forward to seeing Babylon Circus live on the 26th October before I heard the album. Now I can’t wait.

All that whittering aside, here is a translation of one of the really catchy numbers on Grand Soir, possibly the best album of 2009.

The lyrics of La Parade de Gordon Banks refer to one of the most memorable moments in English football history – a superhuman, physics-defying save by Gordon Banks against Brazil in the 1970 World Cup Finals in Mexico. A game, unfortunately, that we (England) went on to lose 1-0.

I have embedded a YouTube video of the save below.

Thanks to the WordReference forums I was able to get my mind around the following bizarre lyric…

Ressortir du ventre is being used in this context to mean something similar to prendre aux tripes which means something that is gut-wrenching, gripping, in the sporting sense – for further detail you can read here.

I suspect that there is more of a story behind this song than I am aware of and I would be delighted if anyone has anything to say on the subject – please let me have your comments!

Here’s a lively track from the same album as J’aurais bien voulu – one of the first songs I translated here. Like J’aurais bien voulu, there’s a lot of good stuff going on within the lyrics as you can see below.

Read the full article / translation...